May’s Urban Sketching meetup was again on the shores of Lake Burley Griffin. This time we met at the Nara Peace Park and the Canberra Beijing Gardens in Lennox Park. It was a chilly but magnificently clear blue morning that showcased the Autumn colours. Before I show you my sketches I want to show you how beautiful my surrounds were. There were families everywhere having picnics and cycling and enjoying the day! Perfect day for sketching!
The Chinese pavillion matched the colourful leaves.
Traditional Chinese gate to welcome visitors to the park. I was besotted with the stone stairs. The people at the top are my fellow sketchers having show and tell time; sharing their sketches and telling their tales. I forgot what time it was and was still finishing up my painting at that point! This photo was taken from where I set up my easel. The Beijing Garden was a gift from the Beijing Municipal Government, and was designed in the style of the imperial style of the Qing Dynasty.
Two of these lions sat at above at the entrance to the welcome gate.
This was one of five stork sculptures in this group. They watched over my shoulder!
This is the first time I’ve taken my full setup out with me in a very long time … since before the lockdowns in fact! It’s a bit of a fiddle, but it was worth it for the experiment that I wanted to do with the style of painting this time. I needed to let layers dry and work on the two paintings simultaneously, which would have been night on impossible if I was juggling everything on my lap! The drying time was rather slow given how cool it was.
As always I prepared my spread with the title and a little map to show the location. This is the finished spread. The two paintings were done on location, and the photos and journalling added at home.
My experiment this time was to create the painting without using ink outlines like I usually do. I started by blocking in the shapes in pale blue pencil to get the proportions right, and then did a more detailed graphite sketch before several layers of watercolour. I LOVED painting all of the rocks in the staircase!
I had two lovely chats this time. The first was with a shy little girl with a big smile who eventually told me that she liked to draw rainbows, and then a brief one with an elderly Chinese fellow via mime and made up sign language. Whilst these interactions break my concentration, they one of my favourite parts of getting out and sketching on location.
Materials: Windsor and Newton A4 watercolour sketchbook Daniel Smith watercolours washi tape for masking Uniball gel pen – for journalling photos printed on HP Sprocket hand carved M stamp
I am running a little behind with my posts! A month ago, as our local sketching group are wont to do, we met up for a sketchy get-together down by the lake and had a closer look at Blundell’s Cottage. It was an absolutely stunning autumn morning! Not too cold, not too hot, a bit of wind and a stunning sky. We had a decent group out too, considering it was Easter Sunday!
I decided beforehand that I was going to sketch the same thing using two different techniques, so I found myself a sunny spot and got myself set up in my comfy camping chair and set to. I chose a simple front-on view of the cottage so I didn’t have to wrestle with perspective twice over.
Before I show you my sketches, here are a couple of photos of the cottage from outside and in. I share some fun facts in the video I link below, but suffice it to say that I was somewhat boggled that such a large family lived in such a tiny house. I am not a fan of big houses anyway, but this was something else! The tiny house movement has nothing on this.
Taken from a couple of paces in front of my chair before I started sketching. My eyeballs did a better job of seeing in the shadows than my phone did! There’s a door and two windows hidden in those shadows.
A corner of the small kitchen.
One of the teeny tiny bedrooms.
This is what I had on my spread at the end of the two-hour sketching session. The sketch on the left was done by slapping down the paint first and then adding pen and enhancing the details. The sketch on the right was done using my normal method of sketching first and then adding colour. I flipped between the two as various layers of paint dried. And I like both for different reasons. The paint-first method was a lot quicker and perhaps livelier than the other, but I like the detail in the one on the right. I had a couple of minutes left at the end so I also captured a couple of my fellow sketchers to add some context to the page.
When I got home, I added some journalling and photos to finish off the spread. I recorded my process and prattled on a little bit about the various occupants of the cottage through the years. This is the first one of these I’ve recorded. Let me know what you think.
This month — this weekend in fact — we are headed to park on the other side of the lake! I am looking forward to getting out, even if the weather has suddenly decided to be very wintery! I will need to crack out my fingerless gloves and a beanie I think!
Materials: Windsor and Newton A4 watercolour sketchbook Daniel Smith watercolours Uniball gel pen photos printed on HP Sprocket
I obviously don’t say that because I have sketched a duck! You can see that I haven’t. What I did sketch is a magpie. My immediate reaction when I see them at certain times of year is to duck and cover my head if I can. They are vicious when protecting their nests in Spring! Don’t believe me? Watch this.
Lucky for me I wasn’t in a great deal of danger from the one I sketched.
For all of their periodic viciousness though, I love them. They sing a rich and melodic song that sounds for all the world like: dorgle dorgle dorgle! Which is why I call them dorgle birds instead of magpies, in much the same way as I call cockatoos jerk birds, because they are noisy, destructive jerks! (also, I can never tell if they are happy or cranky when they are making all that racket, especially when it starts to rain.)
It had been a while since I attended a Canberra Urban Sketchers meetup mostly because of the pandemic and partly because I seem to have become a hermit of late, but I could not resist jumping back in with this location at Garema Place. Lots of fresh air, lots of interesting people to watch and a broad selection of public artworks to check out. Thankfully there was also plenty of shade given the mid-Summer timing.
I chose to draw the big magpie sculpture called The Big Swoop, and framed it as a nature journal page, combining the two disciplines of urban sketching and nature journalling by adding some labels and information to the page.
I parked myself under a tree and leaned back against the smooth trunk while I eyeballed the big bird and thought about how to layout my page. As luck would have it there were some non-swoopy (wrong time of year) real life magpies around singing their hearts out as we sat and sketched. It was really really pleasant and relaxing. I found it easy to get into the flow.
I took a moment to look up who the artist was and some of the particulars of it’s size and weight and discovered that this was the second iteration of the sculpture since the first one had been destroyed by vandals. Why do they do that?? I am pleased the big fellow was given a second chance, and that he got a fresh chip to nibble. I popped these details around my page.
I have started using a non-photo blue pencil to scribble in my vague subject volumes, delineate the layout and to locate some details after watching John Muir Laws‘ nature journalling videos. There’s something less obtrusive about the pale blue lines over my usual graphite, and it does some weird magic to disappear when I take a photo of the page, though it still shows up when I scan the page, as you can see. I don’t mind that, it adds a bit of scrappiness and immediacy to the page that I like.
Other sketchers came and went around me as they moved to capture different angles, and we chatted as though it hadn’t been a couple of years since we saw each other last. Sketchers are such a friendly bunch!
I had a bit of time before we were due to come together again for the show and tell part of the sketchwalk, so I sketched two of my fellow artists that sat nearby and the magpie one more time for a little context since I was using my day to day sketchbook rather than my dedicated urban sketching one. I also captured the organisers setting up the end point for the protest march in support of the people imprisoned and in memory of those executed in Iran’s latest human rights atrocities. The main group of protesters moved noisily through the mall toward their destination with a hail of megaphone incitements and call-backs from the group just as we were taking our group photo by the big maggie. Unfortunately I didn’t have time to stick around and sketch the crowd, I would like to do some reportage sketching at some point.
Fingers crossed next month’s sketchwalk is in a similarly airy spot so that I feel comfortable being out amongst the germs again 🙂
Mr Collier and I just returned from an 8-night trip to Hong Kong, and whilst it wasn’t a trip for sight-seeing and sketching per se, I did manage to fit in a few sketches to capture some of the interesting things from our trip. As always, click the image for a larger view.
I always start with a cover page of sorts…this time I drew a map of Hong Kong and showed the location of our hotel on the northern coast of Hong Kong Island facing onto Victoria Harbour.
I like to capture flight details as well … though looking at the scan now I can see that I didn’t complete the final leg … I was a bit stressed out by that point since I booked for the wrong day and had to rebook a new flight when I got to Sydney, so I’m not surprised I forgot to write it up! Also, the actual flight path was direct and passed over the Australian landmass rather than taking a loop out to the east first. Just as well this is not a text book!
We saw this short building on our way to the supermarket. It amused me how it was dwarfed by the skyscrapers surrounding it.
Our hotel room had a balcony overlooking Victoria Harbour and many hours were spent chatting and watching the boats and ships as they came and went. The slow progress of the vessels bobbing along was hypnotic and we had a lot of fun trying to figure out what they might be doing. This page captures a very small selection of the hundreds of boats that came and went below us.
Our visit coincided with the COVID-19 outbreak in China, and at the time there were a couple of dozen cases in Hong Kong, but 99% of people were wearing masks and we had heard reports of people panic-buying toilet paper and rice. Our first supermarket visit (one of our favourite things to do in a foreign city) coincided with a recent delivery of loo roll and we saw many people with shopping trolley-loads of of it! The clipping above was in the local paper the next day. It’s probably not funny, but it amused us, and in chatting to the driver that took us to the airport at the end of our trip, he thought it was pretty funny too, so I didn’t feel so bad. He was cracking jokes about a friend who bought a Porsche to stay in to avoid being infected rather than masks because it was cheaper! hehe
The main restaurant still open in our hotel (some were closed due to COVID-19 risk mitigation activities) was located on the 41st floor and had a stunning view of the city on several sides. I sketched this section of the skyline after breakfast one morning, and is the one and only on-location urban sketch of the trip. While I sketched, Mr Collier lamented the demise of the Kai Tak Airport, apparently we could have been watching hairy jumbo landings in the harbour below as we enjoyed our meal. Check out this video to see what I mean! Yikes!
And the final sketch for the trip, I actually finished when I got back to capture a little garage that we passed each time we ventured out of the hotel. The city was grey and busy, but the lighting in the garage was very warm and yellow and it made for a nice contrast.
We had a great time in this vibrant and energetic city. We’ll be going back!
What a difference two and a half years makes! The top sketch was done this morning in about 45 minutes flat. Mostly because I misread my watch and thought that I had been sitting there for an hour longer than I had been. This was not a big leap for my poor brain to make since it was 9 degrees C with an apparent temperature of about 2 degrees with the wind taken into account. The next sketch was done in the opposite conditions – a midsummer scorcher. I remember sitting there for almost the full two hours labouring over the proportions and perspective. It was, I think, my second ever Urban Sketchers meet up.
The two sketches are wildly different. I tried something different with today’s one, in that I focussed on a single part of the facade rather than trying to capture all of the rather long, low building. It is far looser and was completed quicker but the lines feel steadier even if the sketch is pretty wonky. I also left a lot of the page untouched with pigment.
The older sketch has far more tentative line work and I appear to have worked hard to cover the entire page with paint. It feels scratchy and wonky even though I was trying to be careful. The shadows are clumsy and I think I may have turned King George V into a little person. It is fascinating to be able to compare my growth as an urban sketcher using samples of my own work rather than looking at the giants in the field and winding up feeling defeated. I can see improvement in what I am producing, and that is encouraging.
At the end of the day I like both sketches, not just for the fact that I exited my hermitage to interact with other urban sketchers for a couple of hours, but for the life memories attached to them. Oddly I can remember what was happening in my life when I was trying to figure out how to render a bronze statue on a flat piece of paper. There’s something about drawing that sucks everything in and locks it into the image. I love it!
We’re in the midst of the coldest start to winter in 10 years here in Canberra, so I figured sketching inside at this week’s Canberra Urban Sketchers meet up was the thing to do. We met at the National Museum of Australia, and whilst there are LOTS fabulous things to draw, I have always wanted to draw a dinosaur skeleton, so I settled in the atrium and drew the muttaburrasaurus cast that was towering over everyone. The background ended up a bit of a smudgy mess because whilst I was aware that the ink was not waterproof, I failed to take into account that any moisture from my hands would also make it slide all over the place…or perhaps I was too impatient and didn’t let it dry long enough before resting my hand on the page. I will admit to rushing the background… it wasn’t nearly as interesting as the big pile of bones in front of me.
My art desk is currently piled with the detritus of my day to day life. It is a flat surface and thus collects the bits and pieces that need somewhere to reside for a short time before moving on, like the box filled with goodies for a friend that I really need to finish filling and tape it up to put in the post. It also has the drawing bag I took to the concert I went to last weekend that I haven’t yet unpacked. There are other bits and pieces there….scissors and tape left over from the christmas gift wrapping event….brushes lying around drying before I can put them back in their containers…balls of wool that I wound off the skein over the weekend for a project to keep my hands busy (like I need anything else!)
My sacred creative space is piled with junk. I am prevented from creating at my desk because there is crap all over it. Well…perhaps that’s a bit harsh; it’s not exactly crap. It’s just stuff that shouldn’t be there. But it is there nonetheless, and it is blocking my creativity. It needs to go.
Art is one of the things that makes me happy and feel satisfied with life and helps me process the not so wonderful things in life too … so why is it the one thing that gets covered – literally and figuratively – with other stuff? It consistently gets pushed to the bottom of the list in favour of sometimes legitimate tasks, but many times, mindless procrastination and time-wasting on things like Facebook and inane websites about things that don’t matter? I replace something that makes me feel good with meaningless time-wasting that more often than not leaves me feeling dissatisfied and cranky. It doesn’t make a great deal of sense does it? Something to consider for the new year. I have long since given up making new years resolutions, but I think it’s about time I found a word to guide my year ahead and figure out which direction I want to steer this life of mine (yes, it’s the time of year for the existential crisis to occur). To remove the junk that’s blocking my creativity and to start paddling a bit … the boat has been drifting long enough.
I haven’t posted much here of late, Instagram and the RS Facebook page is where I post more regularly, and I had considered closing the blog down altogether, but I am feeling the need to write again…so perhaps this will remain! Stay tuned. Meantime, while I get my head together….
Follow me on Instagram to see regular art updates and the things that inspire me (this is where you will be notified of sales in my store.)
Follow my Facebook page for a more interactive experience as well as giveaways and competitions in the new year
Take a look at my Flickr account if you would like to take a look through my sketchbooks and art back through the years
Finally before I toddle off and clean my desk…I went to see Keith Urban on Saturday night! There was plenty of waiting around to get in, so I sketched while I waited. Here’s the fruit of my scribbling. I had hoped to sketch during the gig, but there was a problem … you cannot dance and draw at the same time :O I had a blast! Such a great night out. (ok… enough procrastinating.. going now!)
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It has been a particularly wet, rainy week, so to fill some of the time I watched some art lessons on Craftsy in a bid to improve my urban sketching and watercolour work in general. I have wanted to improve my streetscapes for a long time because they tend to be the heart and soul of travel sketching. I want to travel more and capture the places I visit, and I want to capture my adventures in a way that is at least a little bit recognisable to me!
So on Sunday, I was looking for suitable reference photos in my stash, and I came across my holiday snaps from a trip to France a few years ago. At the time I took a heap of photos to use as references to draw from for my travel journal each evening (we moved far too quickly at the time to sit and draw or paint in situ, so I constructed my journal pages in the evenings and finished a large portion of them at home at the end of the trip), but also in the hope that I would get to draw them in a more detailed way at some stage. So…fast forward five years, and I want to draw … and I discover that I had captured some good references and some woefully unhelpful ones. Apparently this is a skill you learn over time too. What will work as a composition and what will not. What will translate to a sketch, and what will not. What lighting will produce dramatic effects.
After much fussing about I chose a photo of a street scene from inside the Mont Saint Michel village and set about doing a “quick and loose” watercolour streetscape using the techniques I had learned during the week. I sketched up a rough pencil outline with the big shapes and then went in and added detail with pen before hitting it with watercolour. This is the result. I consider it displeasing given that it looks like it is being viewed in a carnival magic mirror. :S
What I don’t like about this piece….
The perspective on the left handside of the drawing is off. I lost my vertical lines at some point along the progression of buildings and it is looking a little like a fish eye lense attacked it.
The colours are muddy. I think I need to figure out how to exaggerate lights and darks in a bland photo to get more contrast (perhaps explore tube paint rather than pans to get juicy colours for depth too?) and experiment with using colours other than what i perceive as a direct match with the scene – ie trying to capture the essence of the scene and playing with reflected colour.
But for all the things I feel are wrong with it, I know that it’s an improvement on previous attempts.
Here’s a street scene from my “France” travel sketchbook back in 2011. It’s from a different place (a village south-west of Paris called Chartres), but it’s easy to see that I have learned some things since then about perspective and learning to be looser and lighter with my pen strokes and quicker with on the spot type sketching in order to capture a scene. I didn’t even bother finishing this one… I gave up in despair.
Incremental progress is a funny thing.
We don’t see it unless we keep our “failures” to look back on. I learned that lesson when I started powerlifting as a way to get healthy. A friend who had been at it a long time encouraged me to take a “before” photo so that I would be able to look back and see progress, which as it turned out was a fabulous thing, because I didn’t feel like my body had changed but comparing photos, I could see a clear progression and improvement. I could not see improvement by looking in the mirror because the changes were so small each day, but cumulatively over months they were substantial. I am discovering the same with my art. Comparing these two pictures I can see that I have made some improvements over time, but see that there’s more improvement to be made too when I compare it to the work of artists I admire.
Here are some of the things that I am telling myself as I work to slowly improve my art this year. Michelle… listen carefully……
Learn and practise the rules and master the basics before you try to eyeball something or bend the rules. Watching lessons by artists that have been at it for a lot longer than you have and attempting to emulate their shorthand is not helpful.
Give yourself permission to fail, but make sure you learn the lessons to be learned and move on mindfully. Realistically, failure is not something we can avoid in creating art, or in life for that matter. Take the time to examine things critically and work to improve. Always.
Try not to start a new venture on a project that is too complex… you are setting yourself up for unnecessary failure. Start small and simple and work your way up to the more complex tasks. I think I chose a scene that was perhaps a little too tricky for my skill level at this point.
Keep reminders of past flops so you can see how far you’ve come, and don’t be afraid to share them. Other people are learning too, they may be able to take a leap forward by analysing how you messed up. Or there may be someone with more skill or more acute perception that can help you improve by pointing out where to tune your technique. You will likely end up with sketchbooks and loose sheets piled up with scenes that make me cringe…but you will at least have something to compare to, and see how far I’ve come over the years.
Be consistent in your practice if you truly want to improve. The only way to get better at representing what you see in the world on the pages of your sketchbook is to do it regularly. Every day would be ideal, but not practical at this point, but a couple of times a week will still yield results, albeit a little slower. Sure life gets in the way at times, but if you want something, you need to make time. End of story.
I tend to talk to myself quite a lot, especially when I’m trying to learn something. I don’t always get intelligent responses, but there you go 🙂
What are you telling yourself this year?
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Canberra has been hit with some pretty wild weather this week… thunder and lightening (very very frightening …. yeah I know, sorry :S) accompanied by lots of rain. It’s generally unpleasant and not the right weather for adventuring with my geriatric fur baby nor being a gadabout on the scooter. So a dear friend, who understands just how stir crazy I can get at times, suggested that I go and wander around a museum or something and do some arty stuff. So I did. I trotted off to the National Museum of Australia to see what I could see. I hadn’t been there since my boys were little…and given that they are both in their late teens now…… it has been awhile.
Weapons of choice today were my sketchbook and a handful of graphite pencils. Most museums don’t allow wet media, and I couldn’t be bothered asking. To be frank, it has been a good long while since I did any purely pencil only sketching without the benefit of watercolour or ink, so I figured it would be good practice.
I had a blast…so many interesting things to see! I picked a few random small items to sketch along the way and plonked them all (none too poetically) on a spread in my sketchbook. I had a couple of challenges. The lack of seating anywhere near the exhibits that allowed me a decent view for any length of time was not especially helpful, and my feet got sore before too long. I didn’t feel I could plant my butt on the floor, there were too many people about (there were a couple of old cars that I would have loved to tackle). It was also very dimly lit, which I found distracting, but on the whole there was lots to see and sketch. I will likely go back and take another swipe…preferably on a day where I can have a go at the very interesting architecture that the institution has to offer.
Here’s my spread complete with spelling mistakes (you’d think I’d know better! gah!) :
One of the exhibits that made me smile, and feel very old, featured items from the old corner stores that I remember from my childhood in country Victoria. There was always a little (usually) continental man behind the refrigerated waist-high counter would lift the stainless steel lid to ladle out the milk for your milkshake from vats below the counter. The metal scoops, anodised aluminium cups and stripy paper straws. Ahhhh! Such nostalgia! This year I think I may take my scooter for a tour of small country towns in search of old-style cafe’s that still might have this kind of whimsy. I will likely find them in the same places that have the obligatory small-town Chinese restaurant that is decorated in exactly the same manner as the one in the next town along the highway.
Also, I am somewhat addicted to lovely smelling soaps, and I found this one at the gift shop on the way out. it smells DIVINE! Its ingredients look more like something that belong in a Thai dish…so if you know me, and I smell tangy and delicious and edible….don’t. 😛 Â It’s just my soap. I will bite back 🙂
All in all, an afternoon out that tickled many senses and chased away the feeling of having been inside for far too long….even if I was still inside………..
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This month’s meeting of the Canberra Urban Sketchers was supposed to be held at the Botanic Gardens, but with a weather forecast that featured 90% chance of lots of wet stuff, the venue changed to the National Library. At least there we would find shelter if the heavens did decide to open.
As I venture out to do more urban sketching I find myself changing and refining the kit that I take out with me, depending on what I think I’ll be sketching, and what blogs and tutorial videos I’ve been watching for ideas of techniques and tips to try. This time I crammed two sketchbooks (one landscape and one portrait) and a piece of corrugated plastic board in the bag with my usual bits and pieces. I also chose to go with paintbrushes and water container over my usual water brushes this time for the sake of control and not winding up with too many huge puddles of water, as I am wont to do lately with the water brushes.
My experiment this time round was with the corrugated plastic board acting as a hand-held easel of sorts to clip my paint, water and sketchbook to, so that I could hold all of that with my left hand and be free to draw or paint with my right. The size of the board was constrained by what would fit in my little Rickshaw bag since I wanted to keep my kit self-contained and somewhat compact. It worked for the most part, though I think I would have preferred something a little larger…I’ll play with that next time. Here’s what it looked like; my left hand held the board under the cover of the sketchbook and the paper towels for wiping off my brushes was held in the fingers of the left hand under the board.
My goals for today were to have a go at improving my perspective for sketching buildings and to attempt a landscape that didn’t end up looking like a mud puddle as they have been of late. The rain hadn’t arrived when we started out, so I grabbed a prime position on the forecourt of the Library and set about putting into practice what I had been learning in this Craftsy course that I watched last week. I measured and checked angles as best I could while the stormy clouds rolled and boiled above me. I felt the first drops of rain as I put the last details in. Overall I’m happy with the result.
I made it up to the verandah of the Library just as the spots of rain started to come a little faster. Unfortunately I couldn’t see a scene I wanted to paint from back there, so I ventured out a little way to get a view of what lay over the lake from me, and as it turns out I could see Mount Ainslie under the stormy clouds. I snapped out a couple of quick value sketches in pencil before I settled on a portrait composition that had lots of the purply clouds at the top and a little of the same reflected in the almost still lake below. I stood in the rain and captured the basics of the sketch before retreating to what i thought was a safe dry spot to add the watercolour…as you can see in the sky below I failed to take into account the wind factor and wound up with some unexpected “special effects” in my sky 🙂 I’m pleased I managed some decent contrast in this one…was a quickie that took about 20 minutes or so.
The board worked equally well standing up and sitting down.
Not really what I was going for with the clouds, but the little raindrop blooms are kind of pretty anyway. 🙂 And as a side note…when I went to scan the pics I discovered that I had stared my new Windsor and Newton landscape book bak to front and upside down…Numpty!
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